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Graduate recitals Smazal, Martina 1998

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GRADUATE RECITALS by MARTINA SMAZAL B.Mus., U n i v e r s i t y o f Ottawa, 1996 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF. MASTER OF MUSIC (VIOLA) in THE FACULTY OF GRADUATE STUDIES (School of Music)  We accept t h i s t h e s i s as conforming to the required  standard  THE UNIVERSITY OF BRITISH COLUMBIA A p r i l 1998 ©  M a r t i n a Smazal, \Wb  In  presenting  degree freely  at  this  the  available  copying  of  department publication  thesis  in  partial  fulfilment  of  the  University  of  British  Columbia,  I  agree  for  this or of  reference  thesis by  this  for  his thesis  and  scholarly  or for  her  The  University  Vancouver,  Date  DE-6  of  (2/88)  of  British  Canada  20.1)^1.  im  Columbia  I  further  purposes  gain  shall  that  agree  ,may  representatives.  financial  permission.  Department  study.  requirements  It not  be  that  the  Library  by  understood be  an  allowed  advanced  shall  permission  granted  is  for  the that without  for head  make  it  extensive of  my  copying  or  my  written  THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Recital Hall Friday, March 13,1998 2:30 p.m.  MASTER'S STUDENT RECITAL* MARTINA SMAZAL, Viola  Sonata for Flute, Viola and Harp  Claude Debussy (1862-1918)  Pastorale Interlude Finale Carol Dymond,/7wre Lana Krantz, harp  Sonata No. 2, Op. 120 in E flat major for Viola and Piano  Allegro Amabile Appassionato, ma non troppo Allegro Andante con moto - Allegro non troppo  Johannes Brahms (1833-1897)  Ryo Yanagitani, piano  Sonata for Viola and Piano, Op. 147  Moderato Allegretto  Dmitri Shostakovich (1906-1975)  Adagio  Sonia Kim, piano  * In partial fulfillment of the requirements for the Master of Music degree with a  major in Viola.  THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Recital Hall Sunday, April 19,1998 8:00 p.m.  MASTER'S STUDENT RECITAL* MARTINA SMAZAL, VIOLA  Marchenbilder (Fairytale Pictures), Op. 113  Nicht schnell Lebhaft Rasch Langsam, mit melancholischem Ausdruck  Robert Schumann (1810-1856)  Eiko Ogawa, piano Sonata for Viola and Piano  , Impetuoso - Poco Agitato - Meno mosso - Tempo I Vivace Adagio - Allegro  Rebecca Clarke (1886-1979)  Christine Yoshikawa, piano - INTERMISSION La fille a levre d'orange (1998)  text: from Arthur Rimbaud's Illuminations  Bradshaw Pack  Mari Hahn, soprano Melanie Beale, harp Brandenburg Concerto VI in B-flat major  for two violas and small orchestra  J.S. Bach (1685-1750)  Robert Ashworth, Mark Luchkow, Emily Greenlaw, viola Cyrena Huang, cello Leanna Wong, bass Erika Vazquez, harpsichord  * In partial fulfillment of the requirements for the Master of Music degree with a major in Viola.  L A FILLE A LEVRE D •ORANGE (This text isfromtwo verses of Arthur Rimbaud's collection of prose poems Illuminations.)  That idol, black eyes and yellow mop, without parents or court, nobler than Mexican and Flemish fables; his domain, insolent azure and verdure, runs over beaches called by the shipless waves, names ferociously Greek, Slav, Celt. At the border of the forest - dream flowers tinkle, flash, and flare, - the girl with orange lips, knees crossed in the clear flood that gushes from the fields, nakedness shaded, traversed, dressed by rainbow, flora, sea. Ladies who stroll on terraces adjacent to the sea; baby girls and giantesses, superb blacks in the verdigris, moss, jewels upright on the rich ground of groves and little thawed gardens - young mothers and big sisters with eyes full of pilgrimages, sultanas, princesses tyrannical of costume and carriage, little foreign misses and young ladies gently unhappy. What boredom, the hour of the "dear body" and "dear heart"  

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