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Graduate recitals Chu, Gloria Hsin-Yi 1999

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GRADUATE RECITALS by GLORIA HSIN-YI CHU M.Mus., State University of Freiburg im Breisgau, 1996 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC (PIANO) i n THE FACULTY OF GRADUATE STUDIES (School of Music) We accept t h i s thesis as conforming tj) the require/f jstancjard THE UNIVERSITY OF BRITISH COLUMBIA A p r i l 1999 © Gl o r i a Hsin-Yi C h u . j W I n p r e s e n t i n g t h i s t h e s i s i n p a r t i a l f u l f i l m e n t o f t h e r e q u i r e m e n t s f o r a n a d v a n c e d d e g r e e a t t h e U n i v e r s i t y o f B r i t i s h C o l u m b i a , I a g r e e t h a t t h e L i b r a r y s h a l l m a k e it f r e e l y a v a i l a b l e f o r r e f e r e n c e a n d s t u d y . I f u r t h e r a g r e e t h a t p e r m i s s i o n f o r e x t e n s i v e c o p y i n g o f t h i s t h e s i s f o r s c h o l a r l y p u r p o s e s m a y b e g r a n t e d b y t h e h e a d o f m y d e p a r t m e n t o r b y h i s o r h e r r e p r e s e n t a t i v e s . I t is u n d e r s t o o d t h a t c o p y i n g o r p u b l i c a t i o n o f t h i s t h e s i s f o r f i n a n c i a l g a i n s h a l l n o t b e a l l o w e d w i t h o u t m y w r i t t e n p e r m i s s i o n . D e p a r t m e n t o f S ^ / o p T h e U n i v e r s i t y o f B r i t i s h C o l u m b i a V a n c o u v e r , C a n a d a D a t e D E - 6 ( 2 / 8 8 ) THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Recital Hall Sunday, April 18, 1999 8:00 p.m. MASTER'S STUDENT RECITAL* GLORIA HSIN-YI CHU, Piano Now Comes the Gentiles' Saviour Rejoice, Beloved Christians Jesu, Joy of Man's Desiring Bach-Busoni (1685-1750)-( 1866-1924) Bach-Hess (1685-1750)-(1890-1965) Sonata No. 3 0 in E major, Op. 1 0 9 Vivace, ma non troppo - Adagio espressivo - Tempo I Prestissimo Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) Ludwig van Beethoven (1770-1827) Dance of the Gnomes Concert-study Franz Liszt (1811-1886) I N T E R M I S S I O N Piano Pieces, Op. 1 1 9 Intermezzo in B minor - Adagio Intermezzo in E minor - Andantino un poco agitato Intermezzo in C major - Graziosd e giocoso Rhapsodie in E flat major - Allegro risoluto Johannes Brahms (1833-1897) Theme Varte Francis Poulenc (1899-1963) Ballade No. 4 in F minor, Op. 52 Frederic Chopin (1810-1849) * In partial fulfillment of the requirements for the Master of Music degree with a major in Piano. Reception to follow in the Lobby. 1 THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Recital Hall Sunday, February 15,1998 8:00 p.m. MASTER'S STUDENT RECITAL* GLORIA HSIN-YI CHU, Piano Sonata in D Major for Two Pianos, K 448/375a Wolfgang Amadeus Mozart (1756-1791) Allegro con spirito Andante Allegro molto Christine Yoshikawa, piano Sonata in Eb Major for Viola and Piano, Op. 120, No. 2 Johannes Brahms (1833-1897) Allegro amabile Allegro appassionato Andante con moto Allegro Tawnya Popoff, viola - I N T E R M I S S I O N -Songs Op. 10 Richard Strauss (1864-1949) Zueignung Nichts Allerseelen Robyn Driedger, soprano 2 Trio in G for Piano, Violin and Violoncello Claude Debussy (1862-1918) Andantino con moto allegro Scherzo - Intermezzo; Moderato con allegro Andante espressivo Finale - Appassionato Catherine Wong, violin Brian Mix, violoncello Suite Italienne for Violin and Piano Igor Stravinsky (1882-1971) Introduzione Serenata Tarantella Minuetto e Finale Catherine Wong, violin * In partial fulfillment of the requirements for the Master of Music degree with a major in Piano. Reception to follow in the Lobby. 3 R I C H A R D S T R A U S S Zueignung Op. 10, Nr. 1 Ja, du weiBt es, teure Seele, daB ich fern von dir mich quale, Liebe macht die Herzen krank, habe Dank. Einst hielt ich, der Freiheit Zecher, hoch den Amethysten-Becher und du segnetest den Trank, habe Dank. Und beschworst darin die Bosen, bis ich, was ich nie gewesen, heilig, heilig an's Herz dir sank, habe Dank! Dedication Op. 10, No. 1 Yes, dear soul, you know, away from you I'm in torment, love makes hearts sick, have thanks. Once I, drinker of freedom, held high the amethyst goblet and you blessed that draught, have thanks. And you drove out from it the evil ones, till I, as never before, holy, sank holy upon your heart, have thanks! Nichts Op. 10, Nr. 2 Nennen soli ich, sagt ihr, meine Konigin im Liederreich? Toren, die ihr seid, ich kenne sie am wenigsten von euch. Fragt mich nach der Augen Faroe, fragt mich nach der Stimme Ton, fragt nach Gang und Tanz und Haltung, ach, und was weiB ich davon! 1st die Sonne nicht die Quelle alles Lebens, alles Lichts? Und was wissen von derselben ich und ihr und alle? Nichts. Nothing Op. 10, No. 2 Do you say I must name my queen in the realm of song? Fools that you are, I know her least of you all. Ask me the colour of her eyes, ask me about the sound of her voice, ask about her walk and dancing and bearing, and oh! what do I know about them? Is not the sun the source of all life, all light? And what do we know about it, I and you and everybody? Nothing. Allerseelen Op. 10, Nr. 8 Stell auf den Tisch die duftenden Reseden, Die letzten roten Astern trag herbei, Und laB uns wieder von der Liebe reden, Wie einst im Mai. Gib rnir die Hand, daB ich sie heimlich driicke Und wenn man's sieht, rnir ist es einerlei, Gib rnir nur einen deiner siiBen Blicke, Wie einst im Mai. Es bluht und duftet heut auf jedem Grabe, Ein Tag im Jahr ist ja den Toten frei, Komm an mein Herz, daB ich dich wieder habe, Wie einst im Mai. All Souls Op. 10, No. 8 Set on the table the fragrant mignonettes, bring in the last red asters, and let us speak of love again, as once in May. Give me your hand to press in secret, if people see, I do not care; give me but one of your sweet looks, as once in May. Each grave today has flowers, is fragrant, for one day of the year the dead are free, come close to my heart, and so be mine again, as once in May. 4 

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