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Graduate recitals Stokholm, Kathleen Anne 1997

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GRADUATE RECITALS by KATHLEEN ANNE STOKHOLM B.Mus., University of Western Ontario, 1992 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC (FLUTE) in THE FACULTY OF GRADUATE STUDIES (School of Music) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April 1997 © Kathleen Anne Stokholm In presenting this thesis in partial fulfillment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of A^fSiC-' The University of British Columbia Vancouver, Canada rw A p n l y\Q}mi DE-6 (2/88) The o p e n i n g work by J a q u e s I b e r t i s a b e a u t i f u l , p e a c e f u l melody. W r i t t e n i n 1930, t h i s c h a r m i n g p i e c e a p t l y d e m o n s t r a t e s I b e r t ' s p h i l o s o p h y t h a t music s h o u l d be " t h e e x p r e s s i o n of an i n t e r i o r a d v e n t u r e " . A a r o n C o p l a n d ' s Duo for Flute and Piano, w r i t t e n i n 1971, u s e s t r i a d s , l a r g e i n t e r v a l s and f l o a t i n g 'melodies to c r e a t e a f e e l i n g of s p a c i o u s n e s s w h i c h i s c h a r a c t e r i s t i c o f h i s s t y l e . P o p u l a r l e g e n d has i t t h a t the t a r a n t e l l a was danced as a c u r e f o r the m i l d l y t o x i c b i t e of the t a r a n t u l a . Today, the t a r a n t e l l a (a f o l k d a n c e from s o u t h e r n I t a l y ) i s a k i n d of mimed c o u r t s h i p dance, u s u a l l y p e r f o r m e d by one c o u p l e s u r r o u n d e d by a c i r c l e o f o t h e r s . The music i s u s u a l l y r e g u l a r l y p h r a s e d , i n t r i p l e meter, and a l t e r n a t e s between major and minor modes a l l w h i l e g r a d u a l l y i n c r e a s i n g i n tempo. The Sonate in D Major by Hummel was w r i t t e n sometime between 1810 and 1814. I have c h o s e n t o use a f o r t e p i a n o i n s t e a d o f the modern p i a n o f o r t o n i g h t ' s p e r f o r m a n c e . The f o r t e p i a n o , w hich d a t e s from the 18th and 19th c e n t u r i e s , i s a c r o s s between a h a r p s i c h o r d and the modern p i a n o . I t s t o n e and t o u c h i s much l i g h t e r t h a n t h a t of the modern p i a n o . In a d d i t i o n , I am u s i n g a wooden h e a d j o i n t on my f l u t e to c r e a t e a sound w h i c h i s more c h a r a c t e r i s t i c of f l u t e s from the C l a s s i c a l e r a . U n t i l the e a r l y t w e n t i e t h c e n t u r y f l u t e s were made e n t i r e l y of wood. The wooden h e a d j o i n t i s l e s s b r i l l i a n t t h a n s i l v e r and b l e n d s n i c e l y w i t h the tone of the f o r t e p i a n o . P i t c h was an added c o n s i d e r a t i o n i n t h i s p i e c e as t h e f o r t e p i a n o i s t u n e d t o A430 ( r a t h e r t h a n t o d a y ' s s t a n d a r d of A440), and the modern f l u t e i s n o t meant t o p l a y so ' f l a t ' . A s p e c i a l thank you to Ward M u s i c f o r the use of the b e a u t i f u l A b e l h e a d j o i n t . The f i n a l work on t o n i g h t ' s program i s J o l i v e t ' s Chant de Linos. Composed i n 1944, t h i s work was o r i g i n a l l y w r i t t e n f o r f l u t e , s t r i n g q u a r t e t and h a r p . J o l i v e t ' s a r t was d e d i c a t e d t o r e s t o r i n g m u s i c ' s a n c i e n t s e n s e , as t h e m a g i c a l and i n c a n t a t o r y e x p r e s s i o n of the r e l i g i o s i t y of human c o m m u n i t i e s . T h i s work i s a w o n d e r f u l example of h i s p h i l o s o p h y . U B C SCHOOL OF MUSIC GRADUATION RECITAL Kathleen Stokholm, flute Stephen Smith, piano Sunday March 9, 1997 8:00 p.m. Aria Duo for Flute and Piano I Flowing II Poetic III Lively Tarantella, Opus 6 laques Ibert (1890-1962) Aaron Copland (b. 1900) Camille Saint-Saens (1835-1921) Adam Stokholm, clarinet Intermission Sonate in D Major, Opus 50 Johann Nepomuk Hummel (1778-1837) Allegro con brio Andante Rondo. Pastorale Chant de Linos Andre (olivet (1905-1974) This recital is dedicated to my husband Adam, for all his love and support In partial fulfillment of the requirements for the Master of Music degree in Performance T H E U N I V E R S I T Y O F BRITISH C O L U M B I A S C H O O L O F M U S I C Recital Hall Friday, May 24, 1996 8:00 p.m. MASTERS STUDENT RECITAL* K A T H L E E N S T O K H O L M , Flute with Tanya Shevtsov, Piano Sonata in G Major Pietro Locatelli (1695-1764) Adagio Allegro Largo Allegro Sonata in D Major, Op. 94 Sergei Prokofiev (1891-1953) Moderato Allegretto scherzando Andante Allegro con brio INTERMISSION Rondo Kelsey Jones (b. 1922) L'Histoire du Tango Astor Piazzolla (b. 1921) Bordel 1900 Cafe 1930 Nightclub 1960 Zachery Westfall, guitar Sonata for Flute and Piano, Op. 23 Lowell Lieberman (b. 1961) Lento con rubato Presto energico * In partial fulfillment of the requirements for the Bachelor of Music degree with a major in Flute. 

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