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“Let’s have the conversation” : climate change, religion, and belief formation in Barbara Kingsolver’s flight behavior Defehr, Steven
Abstract
Eco Critic Greg Garrard hits the nail on the head when he comments in “Conciliation and Consilience: Climate Change in Barbara Kingsolver’s Flight Behavior” that “[i]t is not facts that people primarily believe… but other people [and] Dellarobia is swayed [to the anthropogenic climate change position] as much by Byron’s charisma as by anything he tells her” (306). With Garrard’s comment in mind, I argue that Barbara Kingsolver’s Flight Behavior is a key example of how a work of climate fiction is better equipped at portraying relationships between people and nonhuman animals than depicting environmental disasters or making scientific facts accessible to readers. Moreover, in terms of cultural work, the psychological elements in Kingsolver’s writing and her melodramatic style bring a type of realism to the text not common to climate fiction since the genre’s origins are founded in science fiction. Kingsolver shows the role of conversation and influence in understanding climate change and acting in response to it. Her attention to human relationships, how arguments evolve, and their consequences is more convincing and more useful in promoting climate change than simply depicting catastrophes.
Item Metadata
Title |
“Let’s have the conversation” : climate change, religion, and belief formation in Barbara Kingsolver’s flight behavior
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Creator | |
Publisher |
University of British Columbia
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Date Issued |
2020
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Description |
Eco Critic Greg Garrard hits the nail on the head when he comments in “Conciliation and
Consilience: Climate Change in Barbara Kingsolver’s Flight Behavior” that “[i]t is not facts that
people primarily believe… but other people [and] Dellarobia is swayed [to the anthropogenic
climate change position] as much by Byron’s charisma as by anything he tells her” (306). With
Garrard’s comment in mind, I argue that Barbara Kingsolver’s Flight Behavior is a key example
of how a work of climate fiction is better equipped at portraying relationships between people
and nonhuman animals than depicting environmental disasters or making scientific facts
accessible to readers. Moreover, in terms of cultural work, the psychological elements in
Kingsolver’s writing and her melodramatic style bring a type of realism to the text not common
to climate fiction since the genre’s origins are founded in science fiction. Kingsolver shows the
role of conversation and influence in understanding climate change and acting in response to it.
Her attention to human relationships, how arguments evolve, and their consequences is more
convincing and more useful in promoting climate change than simply depicting catastrophes.
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Genre | |
Type | |
Language |
eng
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Date Available |
2020-12-24
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Provider |
Vancouver : University of British Columbia Library
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Rights |
Attribution-NonCommercial-NoDerivatives 4.0 International
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DOI |
10.14288/1.0395387
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URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
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Graduation Date |
2021-02
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Campus | |
Scholarly Level |
Graduate
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Rights URI | |
Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
Attribution-NonCommercial-NoDerivatives 4.0 International