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The last jeweler : craft, culture, community Zahid, Rafa Mashiyat
Abstract
Bhakurta, a historic jewelry-making village just outside Dhaka, is home to generations of jewelers whose skills have been passed down through cultural practices and kinship. Rooted in centuries-old tradition, the village was once known for its goldsmiths. However today the artisans find themselves being edged out of the market. They have been forced to shift to silver and then eventually to brass and bronze due to rising costs within a rapidly modernizing market. The project responds to the loss of culture and heritage. It begins with the recognition that the craft in Bhakurta is not merely the livelihood of the artisans, but their way of life. The spatial and social conditions that support it - workshops tucked behind stores, markets spilling into fields, verandas as work spaces - are all informal, resilient and under threat. Through a series of small interventions, the project introduces a cultural trail that links all the interventions. These are not meant to be monuments, but open frameworks that are designed to shift with seasons, festivals, and community needs. At its core, this project proposes that preservation is not about holding still. It is about designing space for movement, adaptation, agency, and the quiet continuity of the craft.
Item Metadata
Title |
The last jeweler : craft, culture, community
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Creator | |
Date Issued |
2025-05
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Description |
Bhakurta, a historic jewelry-making village just outside Dhaka, is home to generations of jewelers whose skills have been passed down through cultural practices and kinship. Rooted in centuries-old tradition, the village was once known for its goldsmiths. However today the artisans find themselves being edged out of the market. They have been forced to shift to silver and then eventually to brass and bronze due to rising costs within a rapidly modernizing market.
The project responds to the loss of culture and heritage. It begins with the recognition that the craft in Bhakurta is not merely the livelihood of the artisans, but their way of life. The spatial and social conditions that support it - workshops tucked behind stores, markets spilling into fields, verandas as work spaces - are all informal, resilient and under threat.
Through a series of small interventions, the project introduces a cultural trail that links all the interventions. These are not meant to be monuments, but open frameworks that are designed to shift with seasons, festivals, and community needs.
At its core, this project proposes that preservation is not about holding still. It is about designing space for movement, adaptation, agency, and the quiet continuity of the craft.
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Type | |
Language |
eng
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Series | |
Date Available |
2025-05-08
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Provider |
Vancouver : University of British Columbia Library
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Rights |
Attribution-NonCommercial-NoDerivatives 4.0 International
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DOI |
10.14288/1.0448810
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URI | |
Affiliation | |
Campus | |
Peer Review Status |
Unreviewed
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Scholarly Level |
Graduate
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Rights URI | |
Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
Attribution-NonCommercial-NoDerivatives 4.0 International