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UBC Graduate Research
No Fun City Killoh, Rachel
Abstract
Vancouver has developed a branding over the years, as “No Fun City", with distinct factors of outdated regulations, expensive rent and exclusive attitudes surrounding its night scene. With current existential threats to nightlife, this reputation for the third largest Canadian city is more relevant now than ever before. Through historical and personal analysis, this proposal investigates the many facets that compose the way in which Vancouver nightlife experiences have been designed and cultivated over time. Specifically, places of alternative D.I.Y. venues have come to be misunderstood as illegal liabilities to the city, while a breadth of subcultures and diversity exists within. While to some controversial, these authentic spaces of gather are pivotal to Vancouver’s culture and arguably all night time economies. In a post-covid world, where boundaries and definitions of social drinking space have disseminated and new alcohol regulations have been put in place, it begs the question how can we look to it’s wild nightlife history to better connect post-adolescence communities? How might this inform a new, authentic architectural language unique to Vancouver? This thesis investigates the current complexities surrounding Vancouver’s nightlife by re-imagining a new typology as incubation space for creative post-adolescents.
Item Metadata
Title |
No Fun City
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Alternate Title |
[No] Fun City
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Creator | |
Date Issued |
2022-05-05
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Description |
Vancouver has developed a branding over the years, as “No Fun City", with distinct factors of outdated regulations, expensive rent and exclusive attitudes surrounding its night scene. With current existential threats to nightlife, this reputation for the third largest Canadian city is more relevant now than ever before. Through historical and personal analysis, this proposal investigates the many facets that compose the way in which Vancouver nightlife experiences have been designed and cultivated over time. Specifically, places of alternative D.I.Y. venues have come to be misunderstood as illegal liabilities to the city, while a breadth of subcultures and
diversity exists within. While to some controversial, these authentic spaces of gather are pivotal to Vancouver’s culture and arguably all night time economies. In a post-covid world, where boundaries and definitions of social drinking space have disseminated and new alcohol regulations have been put in place, it begs the question how can we look to it’s wild nightlife
history to better connect post-adolescence communities? How might this inform a new, authentic architectural language unique to Vancouver?
This thesis investigates the current complexities surrounding Vancouver’s nightlife by re-imagining a new typology as incubation space for creative post-adolescents.
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Subject | |
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Type | |
Language |
eng
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Series | |
Date Available |
2022-08-22
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Provider |
Vancouver : University of British Columbia Library
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Rights |
Attribution-NonCommercial-NoDerivatives 4.0 International
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DOI |
10.14288/1.0417464
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URI | |
Affiliation | |
Campus | |
Peer Review Status |
Unreviewed
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Scholarly Level |
Graduate
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Rights URI | |
Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
Attribution-NonCommercial-NoDerivatives 4.0 International