CWGS Lecture Series: Podcasts and Notes

The Legacy of the Maoist Gender Project in Contemporary China: A Feminist Research on Women's Oral Life.. Huang, Xin 2010

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The Legacy of the Maoist Gender Project in Contemporary China A feminist research on women's oral life narratives Xin Huang  University of Bri3sh Columbia  September 22, 2010   Painting by Shitou, “A Photo with Mother”, 1997  The Mao Era (1949‐1978)   Funü  (women)   The Post‐Mao Era (1978‐‐Present)   Nüxing  (female sex/gender)    Research ques3ons  The Maoist gender legacy in China today •  Relevance •  Individual experience •  Political significance  Painting by Shitou, “A Photo with Mother”, 1997  Theore3cal Framework  •  “Chinese” conceptualizations of gender •  A hybrid product of Chinese-Western interaction  •  Judith Butler: gender performativity •  Gender as constituted in and through discourse •  Zone of uninhabitability •  Discursive formulation and subversion of gender  Painting by Shitou, “A Photo with Mother”, 1997  Theore3cal Framework  •  Gender as “project” •  Gender as a consciously designed and performed “project” •  Emphasizing women’s active role as agent  •  Feminist Narrative Studies •  Gender and self-narration •  Feminist criticism of traditional narrative forms •  “Women-centred and women-defined discourse” Painting by Shitou, “A Photo with Mother”, 1997  Research Methodology •  “Women-centred and women-defined discourse” and alternative narrative strategies •  Dialect and hybrid language •  “Telling and retelling” interview method •  Visual records  Painting by Shitou, “A Photo with Mother”, 1997  Research Data •  Snowballing recruitment •  Two to three hour interview •  Fifteen women’s life stories •  In-depth analysis of four women’s life stories  *Photo release was obtained Painting by Shitou, “A Photo with Mother”, 1997  Linyi: The Gender Project  •  Growing up between jia7ngfunü  (housewife) grandmother and Maoist  funü mother  •  Rejec3on of the “proletarian”  femininity   •  From funü to nüxing: nego3a3on and  revision   –  Taming the Maoist funü  –  Incorpora3ng the funü  Linyi: The Narra3ve  •  First telling: Chinese master‐script of  “speaking biXerness”  –  Priori3zing class over gender  –  De‐gendered representa3on   •  Retelling and “go beyond the ending”  –  A more complex and conflic3ng self  –  Narra3ve agency   Dongqun: The Gender Project  •  PLA (People’s Libera3on Army)  Sneakers: a story of shame  •  Clothes: a story of the desire to  become a nüxing   •  Hair: a story of resistance against  exclusion  •  Daughter: a story of redemp3on   Dongqun: The Narra3ve  •  Dialect and narra3ve agency   –  Dialect and symbolic sanctuary  –  The ar3cula3on of “private”, “deviant” or  “trivial” desires   –  The fusion of different language resources  –  A self constructed beyond a single linguis3c  prescrip3on    Dongqun: The Narra3ve  –  “Aimei” (loving beauty)  •  The publicly sanctioned pursuit of beauty and personal liberation in the post-Mao era •  Signifying a post-Mao nüxing identity    –   “Laogong”(husband)  •  Situates her marriage in a modern urban nuclear family context   A self constructed beyond a single   linguis3c prescrip3on     Shitou (  )   The Gender Project   Interpre3ng Between the Sayable and the Seeable    Weapon Series, 1997  Re-imagining the Female Body  Together Series, 2001  Female Bonding and Self-discovery Girlfriend Series, 1997  Old Photo Series, 1997  Recovering “Her-story”  Calendar Series, 2000  Signifying “Chinese” Lesbian  Shitou (  ): The Narrative  •  Resis3ng the hegemony of heterosexual  language   –  Silences, hesita3ons, and narra3ve nego3a3on   –  Self‐conscious linguis3c exercises   –  Mul3‐lingual and mul3‐cultural resources  –  The appropria3on of tongzhi (comrade)   The Politics of “Women” “Women” as a state category in the Mao era •  Funü , a politicized revolutionary subject “Women” within a heterosexist female/male binary in pre- andpost- Mao eras •  Nüxing , a sexualized modernist subject “Women” as a vernacular social category •  Nü de , female   Shitou (  ): The Narrative  •  The transcultural construction of post-Mao Chinese lesbian subjectivities –  Gay and lesbian (in English) –  Tongzhi (people who share a common will or goal , comrade) •  Nütongzhi •  Nantongzhi  –  Lala  (female comrade) (male comrade)  (lesbian)  The appropria3on of tongzhi (comrade)   Amy: The Gender Project •  Maoist funü mother and her foil character, the  Jia7ngfunü grandmother  •  Resis3ng masculinist Maoist authoritarianism:  the father  •  Rite of passage: study in the UK   •  The construc3on of a cosmopolitan nüxing  •  Searching for and finding limits of the promise  of the nüxing subject   Painting by Shitou, “A Photo with Mother”, 1997  Amy: The Narrative •  Yuppie Mandarin: a cosmopolitan Mandarin  language style with Mao and post‐Mao eras  poli3cal vocabulary   •  English terms: performing, inven3ng and  (re)fashioning a hybrid cosmopolitan gender  iden3ty  •  “Hybrid Chinese”: alterna3ve “language of  gender”  Painting by Shitou, “A Photo with Mother”, 1997  Conclusion •  The Maoist gender project and its legacy •  Gender as project, situated subversion, and diverse strategies •  Feminist research and alternative story-telling  Painting by Shitou, “A Photo with Mother”, 1997  

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